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Re: IANG license translation draft



Hi Dmytri & Michel,


Dmytri Kleiner a écrit :
Regarding naming, while IANG (IANG Aint No GNU) is funny, I think the recursive acronym joke and reference to GNU is too much an insider thing.

I am hoping that we can have a license that appeals to wide range of artists, software developers, etc.

I suggest something like "Peer Production License", the initials PPL can also can be an acronym pronounced "people".

Nice name, I like it, even if the acronym is also an insider thing.

But I like IANG too, not because of the double recursive private joke, but also because it's a monosyllabic word easy to remember, it's homophonic with a well known term (yin-yang) that pronounces identically in all languages, while being an original word with this writing.

However, naming doesn't matter that much, as long as we agree on the contents.


If possible, I propose we work together to create such a peer production license.

I'd be glad to work with you on this license, and maybe if possible on its implementation in real world. However, I believe that after we sort out the misunderstandings and unclear parts of IANG, we'll realize that there's not so much work to do.

Also, don't hold it against me if I don't reply to e-mails very quickly, first I'm inherently slow, next I've got other personal worries at this time...



Dmytri Kleiner wrote:

"Creative Contribution" means any modification of the Creation in the sense of intellectual property rights, including but not limited to adaptation, correction, translation, sampling, incorporation of, or in another work.

What about other forms of labour contribution in the manufacturing and distribution process?

You're right, ideally all labour contributions should be considered, but juridically the rights are attached to the creation, and I fear that clauses that go beyond this could be held as abusives. This should be checked with a lawyer, however.



"Creative Contributor" means an individual or legal entity bringing Creative Contributions to a Creative Project.

Would prefer something like "Labour Contribution" meaning any individual or legal identity contributing labour to the development, manufacturing or distribution of the creation.

Or perhaps "Work Contribution", the term "work" having the two meanings of creation and labour.


"Economic Contribution" means any form of monetary contribution, including but not limited to donation, purchase, subscription, assessment, investment, capital.

IMO, there can not really be an "economic contribution," "investment" and "capital," in the sense of selling equity to private owners is incompatible with commons-based production. "Purchase," "Subscription," etc, are not contributions, but rather simple exchanges.

The rationale behind these definitions is that the economy of public works should be public, and managed by all those who contribute to it, including customers through their purchases and subscriptions. These are not exchanges in the sense of market economy but rather contributions to a gift economy. Of course, the IANG items will be sold on the market, but seller and buyers will not conflict but share the same economic entity, like in mutual societies, cooperatives, associations.


"capital" in the sense of interest-bearing loan, is likewise not a contribution as the money must be returned, including interest.

Capital should be understood in the sense of common wealth. Even non-profit organisations have a capital.


I am not sure what is meant by "assessment."

It's my bad translation, I meant imposition or tax. The idea is that if the economic project is financed by subventions, tax payers should have a voice in it.



3.2. CREATIVE PARTICIPATION

Creative Contributors can participate, according to the conditions specified in article 6, in all technical or artistic decisions concerning the Creative Project, including but not limited to development orientations and priorities, integration and combination of the different works into the Creation.

I am a little confused as to how all "Creative Contributors" can participate in all "all technical or artistic decisions." In the context of commons-based peer production, each peer producer should be free to make whatever technical or artistic decisions they want when employing the common-stock in their own production, so long as the conform to the terms of the license.

Of course each producer can make all decisions in an individual project, but things are different for a collective project. Take for example free software. While being all governed by "free" licenses, some projects are managed democratically while others are benevolent dictatorships. There are many "forks" (splits) in free software projects, and while they're not necessarily a bad thing, they're often caused by power conflicts. And power is also an enemy of freedom, you'll probably agree as an anarchist ;-)

Note that Creative Contributors are defined for a particular Creative Project, so contributors of a project cannot claim participation for another project, even if it's derived or originating from the other. But contributors can nonetheless accept other participants in their project, as stated in article 6.2.



4. DISTRIBUTION

Distribution of the Creation, or its reproduction or modification, by the User to any person is unrestricted provided that it is governed by this license without any modification or additional clause, and that it is accompanied by all informations specified in articles 2 and 3. These informations must also be transmitted to any person asking for them, for a cost not exceeding those of data transmission.

Not sure about "These informations must also be transmitted to any person asking for them, for a cost not exceeding those of data transmission." I reluctant to place any responsive future obligations on peer producers not engaging in commercial distribution, whatever is required to be transmitted, should have been in the distribution itself.

Maybe it's enough, indeed, but putting some information on a web site is not a heavy burden nowadays. If needed, the IANG site could provide the hosting.


5.2. ECONOMIC PARTICIPATION

Economic Contributors can participate, according to the conditions specified in article 6, in all economical decisions relative to the Economic Project, including but not limited to priorities and amounts of investments and remunerations, distribution of profits, financing policy and selling price of all products or services including the Creation.

Not sure why this is a required clause. "Economic Contributors," in this case equity holders in legal entities engaging in commercial distribution already have all the right listed.

As stated, these are not only equity holders, but also customers, donators, and of course workers investing in their working tool.


I am more interested in limiting the economic contributors to the non-alienating types, i.e. donations and interest-free loans. All other economic input should not be considered a contribution, and private-equity should be explicitly rejected, as this represent enclosure and not commons.

On the contrary, opening economic participation to the public will make it really public and driven by public interest, since if the creation has some use value, users will form a majority, even if probably only a minority of them desire to participate.

The fact that producers own their working tools does not change anything regarding the relation with public. Cooperatives (I happen to work in one) operate in a market economy, their interest are in conflict with customers about price, and they compete against other companies, even other cooperatives.

Purchasing a work that is available for free is already a committed act. We should have a model that encourages this act, not restrain it.



6.2. MODALITIES

Participation is unrestricted and gratis, and its material organisation is assigned to the Contributors. Each Project is autonomous, including in respect to Projects concerning original or derived creations, and each Contributor is autonomous within a Project. Each Contributor has a voice in all decisions concerning the Project and concerning all its Contributors, including admission of new Contributors in the Project.

I am a little confused as to how this relates to 3.2. Is 3.2 meant to be apply to the internal participation within a project? If so, perhaps the terms it makes should be in the PARTICIPATION section instead.

I think this is overall a great approach, defining participation and requiring financial information to be public is great.

The main area that is missing for me is the limitations on Economic Contribution, in particular the prohibition of a User employing private property and wage-labour to capture surplus-value derived from common-stock of creations.


Fortunately, this is not possible for a public to capture surplus value from themselves. This is why the public should not only have financial information, but also drive the economy of copyleft.

I hope that I've clarified a bit the ideas behind IANG. I also hope that in near future I have some time to work on a concept of collection society that would be managed by the public and not against it.

Best regards,

--
Patrick